Crit Ecologies: Artists, Community, Criticality

Curated by Dr. Livia Strauss, executive Director, HV MOCA, and Patricia Miranda, founder, The Crit Lab

Link to page on museum site:

https://www.hudsonvalleymoca.org/exhibitions2/crit-ecologies

Dates: September 21 - December 7, 2024


Exhibition Events: Scroll down for full details

Saturday, September 21

Panel Discussion 1:30-3pm
Reception with the Artists 3-5pm


Marks on Paper: A Drawing Marathon
special guest
Slam Poet Nick Powers
November 21: 11am - 8pm


December 7, 1:30-5pm

Closing Panel+Reception with Crit Ecologies exhibition artists


Artists:

Christine Aaron, Idil Barkan, Carrie Belk, Allison Belolan, Carol Bouyoucos, Serena Buschi, Jennifer Cadoff, Leah Caroline, Tracy Casagrande Clancy, Martha Chason-Sokol, Jodi Colella, Merill Comeau, Davida Cook, Elizabeth de Bethune, Laura Dolp, Deborah Freedman, Lisa Lee Freeman, Kathryn Geismar, Rima Grad, Sutton Hays, Aileen Hengeveld, Carol Herd-Rodriguez, Anne Johnstone, Fredricka Joyner, Karen Kalkstein, Shelley Kaplan, Natalya Khorover, Rita Klachkin, Wendy Kohli, Bonny Leibowitz, Michelle Lougee, Rita Maas, Cynthia MacCollum, Caroline MacMoran, Claudine Metrick, Elizabeth Mihaltse Lindy, Catherine Moylan, T-Bone Muniz, Lisie Orjuela, Deborah Peeples, Deborah Pressman, Laura Reeder, Michelle Robinson, Jonathan Rowe, Roohi Saleem, Sharon Schmiedel, John Sproul, Priscilla Stadler, Rebecca Steiner, Kim Svoboda, Dayna Talbot, Sylvia Vander Sluis, Mitchell Visoky, Julie Weiman, Elizabeth Rose Wilson, Susan Wolf


Artists for the exhibition Crit Ecologies have been participants in The Crit Lab, a graduate-level critique seminar program for working artists after and outside academia. The Lab is an alternate critical community for artists to come together in ongoing, sustained, contact, with empathetic listening, radical optimism and rigorous dialogue, in an act of hope over destruction. The structured pedagogy was developed by Miranda to focus and deepen discussion beyond common subjective reactions, and to support ethical structures in which artists’ practices can thrive. The Crit Lab structure was designed in response to the opinionated and personal nature of much critique, often clouded by the unremarked power dynamics of gender, class, race, etc.

Curated in a competitive juried process from Crit Lab participants from Fall 2023-Spring 2024, selected artists have the benefit of exposure through an exhibition at Hudson Valley MOCA, an institution whose reputation is partially based on a successful record in identifying extraordinary talent early in an artist’s career.


September 21: 1-3pm

Art Educator Panel: Three art educators address the benefits and the need for artists to create communities for ongoing critique and growth.

Speakers: Jeanne Silverthorne, Patricia Miranda, Carla Rae Johnson

Moderator Livia Strauss


Jeanne Silverthorne: Jeanne has taught at the SVA since 1993. She is recipient of a Guggenheim Fellowship and a Joan Mitchell Foundation Award, among others. Her art has been acquired by the Museum of Modern Art (MoMA) and San Francisco Museum of Modern Art, among others. Solo exhibitions include the Phillips Collection, Whitney Museum of American Art, Institute of Contemporary Art, Philadelphia (ICAP) and PS1.


Patricia Miranda: Patricia is an artist, curator, and educator. She is founder of The Crit Lab, graduate-level critical seminars for artists, and MAPSpace project space.


Carla Rae Johnson: Carla Rae is a multimedia artist. She is a New York Foundation for the Arts 2005 Fellow in Sculpture and a 1990 recipient of a Pollock-Krasner Foundation Grant. Ms. Johnson is an Associate Professor Emerita at Westchester Community College, SUNY.


Livia Straus: Co-Founder, President HVMOCA.


Special Event!

Marks on Paper: A Drawing Marathon
November 21: 11am - 8pm.

Join us for an interactive day at HVMOCA, with drawing in the exhibition space and black box theater: live model, munchies and wine, and great camaraderie. 

Special for the day:

Word Art Workshops with champion Slam Poet Nick Powers: 3-5 PM. Based on the model of ‘Writing the Walls’, the highly acclaimed annual event at HVMOCA, artists and writers will have the opportunity to create ekphrastic poems based on art in the exhibition and art in process at the drawing marathon.

Bring your own food, we supply the drinks and the teacher crits- Stay the day!


Non-members: $45

HVMOCA Artist Members and Crit Lab Participants: $40

Click HERE to Register


December 7: Artists’ panel: ‘Before and After’: a slide presentation and discussion of how artists measure the benefits of participation in post grad critiques and artist residencies, presented by participants of the Artist Crit exhibition and moderated by Patricia Miranda, artist, curator, educator, and founder of the Crit Lab, offering a series of graduate level seminars for working artists. 

Bonny Leibowitz, Anchored To Wind, 2023, Rawhide Branches, Photography,Plastics Metal, 60x60x15
T-Bone Muniz, Time Capsule: Making, 2023, Video Assemblage, 76”x 26”x 10”
Christine Aaron, Emergence, 2022 to present, hand dyed silk cocoons, thread, 120” x 120” x 5,” dimensions variable
Jodi Colella, Tell Them Everything, 2023, woven excerpts from journals, found objects, ceramics, 120”x72”x4”
Merill Comeau Comeau, Merill, Woman Interrupted, full, 2023, mixed media textile, 48 x 79 inches
Roohi Saleem, Cries for Peace II, 2024, Oil and oil sticks on canvas, 54’x 66”
Michelle Robinson, Least Bell’s Vireo, 2024, Cotton embroidery on muslin, 24x24”
Michelle Robinson, Pacific Lamprey, 2023, Cotton embroidery on muslin, 24x24”
Caroline MacMoran, Roped, 2024, found marine debris, thread, wire, 71x15x5”
Serena Buschi, Particle/Waves, 2024, Chenille wire, plaster, sari silk, Kitakata paper, ink, encaustic monotype, yarn, mirrors, 30x10x9"
Idil Barkan, 2024, Encaustic, broken mirror and pastel on wood stump, 2” x 10"
Idil Barkan, Abundance, 2023, Encaustic and mixed media on wood stump, 2,5” x 10"
Idil Barkan, 2022, Encaustic and mixed media on wood stump, 2” x 11"
Priscilla Stadler, “Samples” (on pedestal) and “Troubled Waters 14” (on wall)
Julie Weiman, Cameo 2, 2023, Linen, cotton, crochet, 26x20
Weiman, Children of Abraham, 2024, Burial shrouds, Jewish and Muslim, dyed in olive leaf dye, 3 stacks 12x14
Elizabeth Mihaltse Lindy, Silent Mourning, 2024, installation with paper, water, 76 × 78 × 9”
Elizabeth Mihaltse Lindy, Mourning Ritual, 2024, video, 1080HD, 9:48
Laura Dolp, Lithos 2.5 (35.49.40n|14.26.32e) from the series “Where I hoped rock would be”, 2023, Lithograph with collaged Japanese paper, raw silk, colored pencil, and sewn silk thread 19x15”
Laura Dolp, Lithos 1.2 (35.49.40n|14.26.32e) from the series “Where I hoped rock would be”, 2023, Lithograph with collaged Japanese paper, raw silk, colored pencil, 19x15”
Leah Caroline, Interruptions/Egla Arufa, 2024, Pen, pencil and image transfer over archival print, 7”x7”
Leah Caroline, Interruptions/Wounded Hearts, 2024, Pen and pencil over archival print, 10”x10”
Leah Caroline, Interruptions/Lost for Words, 2024, Pen and pencil over archival print, 10”x10”
Leah Caroline, Interruptions/Land Maze, 2024, Pen and pencil over archival print, 10”x10”
Carol Bouyoucos, Garden Song, 2024, digital print on birch wood, 16x16x1”
Carol Bouyoucos, Garden Song, 2024, digital print on birch wood, 16x16x1”
Carol Bouyoucos, No Trespassing, 2024, digital print on Acrylic disc, 16x16x.5”
Carol Bouyoucos, No Trespassing II, 2024, digital print on Acrylic disc, 16x16x.5”
Allison Belolan, Lichen 5 Ways, 2024, Digital photograph on Hahnemuhle photo rag, 24x18”
Claudine Metrick, Nightshade (exterior and peephole view), 2022, gouache on paper in acrylic enclosure, 12 x 20 x 21
Claudine Metrick, Pollinate (peephole view), 2023, gouache on paper in acrylic enclosure, 12 x 20 x 21
Claudine Metrick, Pollinate (interior view), 2023, gouache on paper in acrylic enclosure, 12 x 20 x 21
Claudine Metrick, Nightshade (interior view), 2022, gouache on paper in acrylic enclosure, 12 x 20 x 21
Claudine Metrick, Cultivate, 2023, digital animation of hand-painted imagery, 00:04:23
Laura Reeder, Cultivator 8.1.2024 Meander, 2024, MP4 video, 35-second loop
Martha Chason-Sokol, ADORNED, (side view) 2024, Upside down wastebasket, old drawing board with brass eye hooks, Home Depot bucket, thick soft packing foam, pots and pans, colanders, Greek replica necklace from the MFA store, crystals and bronze from a broken necklace, metallic threads, marble chips, electrical tape, duct tape, packing tape, 68 X 30 X 23 inches.


PROGENY, 2024, Colanders, small wok, pan with glass cover, marble chips, gray and black electrical tape, 28 x 16 x 15 inches
Martha Chason-Sokol, LAMENTATION, 2024, Working hot plate, garbage can lid, bundt cake pan, colander, various pots and pans, old crock pot, yarn, working puck light with batteries, marble chips, marble dust,electrical tape, packing tape. 52 x 20 x 19 inches.


Lisa Lee Freeman, Resonance, 2024, mixed media on paper, 42” x 29”
Jennifer Cadoff, New Terrain #2, 2022, ink on watercolor paper, 48x48”
Rita Maas, Composition in CYMK++_v1, 2022, Monoprint on Archival Inkjet Print, 6 unique 22 x 17" prints / installation dimensions variable
Rita Maas, How Do You Measure (up)? 23.01, 2023, Ballpoint Pen on BFK Rives Paper, 22 x 17"
KKaren Kalkstein, Stretching Crone, 2023. charcoal on paper, 24 x 64 inches
Kathryn Geismar, Seraph, 2023, graphite, ink, and grommets on drafting film, 80 x 60 inches
Rima Grad, I Do Not See You, 2021, Altered family photograph, 10x20”
Rima Grad, I Hate Those Shoes, 2021, Altered family photograph, 10x20”
Deborah Freedman, In the Garden 2, 2024, Collage, 18"sq.
Deborah Freedman, In the Garden 7, 2024, Collage, 18"sq.
Fredricka Joyner, Queen of Darkness, 2024, Mixed Media, 30x10"
Davida Cook, DINO VIDEO, stop motion, mp4.
Elizabeth de Betune, Jude Reaching, 2024, oil on canvas, 12” x 12”
Elizabeth de Bethune, Rob with the Silver Pitcher, 2024, oil on panel, 12” x 12”
utton Hays, Got Back Up, 2024, acrylic/art board, 8" x 10"
Aileen Hengeveld, Big Pool Party, 2024, paper and acrylic on paper, 18x24"
Shelley Kaplan, Fleeting Moment -2, 2024, Oil on linen, 32”x46"
Khorover, Empty Calories, 2024, repurposed single-use plastic, resin, dishes;96"x36"x36" variable,
Rita Klachkin, Deconstructed Garden 2, 2024, Watercolor, acrylic, both on paper, staples, wax thread, Mylar, 62” x 24” x 6”
Michelle Lougee, Dinoflagellate, 2011, Crocheted postconsumer plastic, wire, Appx 36” x 48” x 36”
Cynthia MacCollum, Worm Moon, detail, 2021, Trace monotype and gesso on yupo, mounted on wood panels, twenty-four 9x8” panels, overall size variable
Jon Rowe, A37, 2024, Acrylic, 24”x30”x5/8"
Carrie Belk, Carrie Belk, Circumscribe 5, 2024, Acrylic/Collage on Paper, 12"x16"
Carrie Belk, Circumscribe 7, 2024, Acrylic/Collage on Paper, 12"x16"
Catherine Moylan, Once upon a time a woman walked into a forest, 2024, 84x30x30"
Anne Johnstone, Setting the Stage, 2023, acrylic and canvas collage, 12 x 12"
Anne Johnstone, Setting the Stage, 2023, acrylic and canvas collage, 12 x 12"
Carol Herd-Rodriguez, River Bliss 13, 2024, acrylic, watercolor, graphite, color stick on paper, 12X12”
Lisie S. Orjuela, Into the Line 7, 2023, Oil on canvas, 17”x15”
Lisie S. Orjuela, Into the Line 7, 2023, Oil on canvas, 17”x15”
Deborah Peeples, Close Up, 2024, encaustic on panel, 12x12”
Deborah Peeples, Please Touch, 2024, encaustic on panel, 12x12”
Deborah Pressman, Land of Giants, 2024, oil paint, cold wax, ink on fabric on panel, 20" x 20"
Wendy Kohli, Mill River Series 5, 2023, acrylic, graphite, charcoal on paper adhered to wood panel, 8" x 8"
Wendy Kohli, Mill River Series 1, 2023, acrylic, graphite, charcoal on paper adhered to wood panel, 8"x8"
Sharon Schmiedel, Life Drawing a la mode 1, 2024, mixed media, 12x18”
Sharon Schmiedel, Life Drawing a la mode 3, 2024, mixed media, 12x18”
John Sproul, London, 2024, monotype, 11x8.5”
John Sproul, Tree, 2024, monotype, 11x8.5”
Rebecca Steiner, Prime Time, 2020-2024, collage constructed from cut-and-pasted printed paper, 8 7/8 x 8 1/2”
Rebecca Steiner, Sugar, Spice and Everything Nice, 2024, collage constructed from cut-and-pasted printed paper, 8 3/8 x 11”
Kim Svoboda, The Longest Journey, 2022, fabric vessel with 3 fabric books, 6x9x4”
Kim Svoboda,The Girdle(For My Mother), 2024,fabric,vessel, 10.25x8x5”
Dayna Talbot, The Chaos in My Mind, 2023, Wool, Misc Fiber, 10 x 17 x 13" (Variable)
Sylvia Vander Sluis, Passage IV, 2023, insulation board, sand, cheesecloth, acrylic, 5 x 30 x 9"
Mitchell Visoky ,Suspended II, 2023 , Acrylic on paper 35”x27”
Mitchell Visoky,Big Red,2023, Acrylic on paper ,37”x31”
Elizabeth Wilson, The Paradox in the Pain and Beauty of Bearing Life and Accepting Death (02), 2023, Gouache & Pencil on Linen Paper, 12"x9"
Elizabeth Wilson, The Paradox in the Pain and Beauty of Bearing Life and Accepting Death (01), 2023, Gouache & Pencil on Linen Paper, 9"x12"
Elizabeth Wilson, The Paradox in the Pain and Beauty of Bearing Life and Accepting Death (03), 2023, Gouache & Pencil on Linen Paper, 9"x12"
Susan Wolf, UnDun, 2024, Mixed Media Collage, 22.5" x 30"